African American roots: Barbershop quartet singing is associated with the United States.
A Cappella: Throughout the 1880s and 1890s, the Black community harmonized.
The rise of the quartet: From these African American ensembles the quartet evolved and with it.
Blackface parody: In time this unique musical style was being imitated by white minstrel performers.
The barbershop as a social club: Barbershop music can also be traced back to an era when American.
Barber’s music: Also around this time—the late 19th century—the British expression.
A blend of musical style: After white professional quartets began popularizing the sound.
With the music came a fashion: Soon, barbershop quartets began performing in theaters to enthusiastic.
First recordings: The early 1920s saw the first recordings made of barbershop music.
For the record: Barbershop quartets by now where almost exclusively white, particularly.
Play that barbershop chord: One man who did manage to buck the trend was Bert Williams.
Old and new: By the mid-1920s white close harmony barbershop quartets were all the rage.
The four voices of barbershop music: The barbershop style is characterized by four-part harmony.
Second voice: The second voice is a bass, the part which provides the bass line to the melody.
Third voice: The third voice in a barbershop quartet is a tenor, the part which harmonizes above the lead.